That’s the first big problem with stuff like this.
The second big one is that artists have to first hear about this, then take the time to actually learn how to use this software, then apply it to all of their past & future artwork, and also somehow apply it to every version of their artwork that is floating around the internet, books, or photographs and not currently in their possession. And then in a few months they have to do that all over again.
It’s insane. I look at this and think it’s cool technology, but as an artist I will never use it. I’m too busy actually creating art to mess around with poisoning my own work. I don’t even have time to do copyright takedowns on people stealing my art and passing it off as their own, or Chinese merchants on Amazon selling my art without permission. Stuff like this is well-meaning, but its absolutely unrealistic.
These attacks don’t work in the long term. You can confuse current systems like clip but the moment a new one is trained your system stops working.
That’s the first big problem with stuff like this.
The second big one is that artists have to first hear about this, then take the time to actually learn how to use this software, then apply it to all of their past & future artwork, and also somehow apply it to every version of their artwork that is floating around the internet, books, or photographs and not currently in their possession. And then in a few months they have to do that all over again.
It’s insane. I look at this and think it’s cool technology, but as an artist I will never use it. I’m too busy actually creating art to mess around with poisoning my own work. I don’t even have time to do copyright takedowns on people stealing my art and passing it off as their own, or Chinese merchants on Amazon selling my art without permission. Stuff like this is well-meaning, but its absolutely unrealistic.